Large, clear gestures meet drops, abrasion, scratches, fractures, and transparent veils. I am interested in the point at which control reaches its limit and yet something orders itself—not as harmony, but as a precise response of one force to another.

I don't work in a single medium, but rather within an inner logic that manifests itself in different forms. For me, painting, sculpture, photography, and multimedia works are not separate fields, but rather different ways of making movement, tension, space, and presence visible.

I'm interested in how intensity can be translated: into surface, volume, pictorial space, light, sound, or spatial arrangement. Each format opens up a different form of proximity, resistance, and perception. The diversity of media is not arbitrary, but rather stems from the attempt to find a form that resonates—clear, concise, and physically tangible.